Cross-border collaborative investigations are now an established practice in journalism. As this field evolves, the role of investigation coordinators has become better defined, even moving towards professionalisation. With the proliferation of organisations and journalists working on cross-border investigations, various coordination models have emerged, each presenting unique challenges and opportunities.
Some organisations have staff coordinators, with a focus on coordinating team members, while they are supported in handling admin, logistics, and finance. In other cases, the coordinator is a freelancer, managing all aspects of work independently, or a newsroom staffer receiving limited assistance from their newsrooms. In this session, three experienced coordinators will discuss the different challenges and opportunities that come with their role.
Live journalism is emerging as a powerful global trend, reconnecting audiences with journalism in an engaging, interactive way.
In this session, participants will explore how journalism can transcend traditional formats and captivate live audiences. After an introduction to the genre — its evolution, impact, and the key players worldwide — we’ll dive into Headliner’s unique approach in Germany, showcasing Reporter Slam (a fast-paced, entertaining format) and JIVE (a magazine on stage), alongside inspiring international examples.
Then, we’ll break down the core principles of live journalism, analysing curated clips from live shows to identify what makes them work. Participants are encouraged to bring a story (printed or digital) that they believe could be adapted for the stage. Through hands-on guidance, they will learn to: ✔ Select the appropriate format and tone ✔ Identify visual and auditory elements to enhance storytelling ✔ Structure a compelling narrative arc for a live audience
No prior experience required!
By the end of this session, participants will have a good grasp of different live journalistic formats and first practical tools to start re-imagining their own stories for the stage.
